Showing posts with label Volume. Show all posts
Showing posts with label Volume. Show all posts

Wednesday, October 17, 2012

The Music of Islam Volume 10: Qur'an Recitation, Istanbul, Turkey



The Music of Islam Volume 10: Qur'an Recitation, Istanbul, Turkey by



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Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central and south Asia to island southeast Asia and attracting an increasing following in India, western Europe, north America, east Asia and southern Africa. This is a global presence which cannot be ignored. Many orthodox Muslims have traditonally held that music is generally detrimental to the listener's religious life and as a result there is relatively little sacred music in Islam. But there is some. Central to Islamic life is the chanting of the holy scripture, the Qur'an. Two associated works, the call to prayer known as ezan (adhon) and the tekbir, are known throughout the Islamic world and are also performed in a highly stylized, richly embroidered style of chant. These prayers are the subject of this volume. A further prayer, the mevlud (mawlid) and regional prayers for the month of Ramadan are reserved for special occasions.

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Saturday, September 29, 2012

Secret World Volume 2


Secret World Volume 2 by
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Friday, August 31, 2012

World Music Sampler Volume 2


World Music Sampler Volume 2 by
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Thursday, August 23, 2012

Flickering Flame The Solo Years, Volume 1


Flickering Flame The Solo Years, Volume 1 by
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Friday, July 27, 2012

The Music of Islam Volume 7: Al Andalus, Andalusian Music, Tetouan, Morocco


The Music of Islam Volume 7: Al Andalus, Andalusian Music, Tetouan, Morocco by
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Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central and south Asia to island southeast Asia and attracting an increasing following in India, western Europe, north America, east Asia and southern Africa. This is a global presence which cannot be ignored. North Africa became the stronghold of Arab-Andalusian music after the fall of Granada in 897/1492, yet the existence of the nubah (plural nubat, literally rotation or succession) system in Morocco can be traced back earlier, to at least the XI/12th century. Much of the repertoire has been lost over the years and different areas preserve different nubat. In Morocco today, there are at least two distinct styles of Arab-Andalusian music, al-Ala, which is the most prevalent one across the country and Gharnati, specific to Oujda in eastern Morocco and to Tlemcen in Algeria. These traditions are considered to be Morocco's classical musical hertiage. Read more The Music of Islam Volume 7: Al Andalus, Andalusian Music, Tetouan, Morocco

Wednesday, July 18, 2012

The Music of Islam Volume 5: Aissaoua Sufi Ceremony, Marrakesh, Morocco


The Music of Islam Volume 5: Aissaoua Sufi Ceremony, Marrakesh, Morocco by Celestial Harmonies
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Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central and south Asia to island southeast Asia and attracting an increasing following in India, western Europe, north America, east Asia and southern Africa. This is a global presence which cannot be ignored. 'Aissaoua Sufi Ceremony, the first of three volumes in this series recorded in Morocco, captures the public performance of 'Aissaoua rituals, called hadra. 'Aissaoua is the brotherhood comprised of followers of one of Morocco's most well-known and highly regarded spiritual leaders, Shaykh 'Abd Allah Sidi Muhammad Ben 'Aisa as-Sufiani al-Mukhtari (870/1465-933/1526). Read more The Music of Islam Volume 5: Aissaoua Sufi Ceremony, Marrakesh, Morocco

Saturday, June 23, 2012

The Music of Islam Volume 13: Music of Pakistan, Lahore, Pakistan


The Music of Islam Volume 13: Music of Pakistan, Lahore, Pakistan by Celestial Harmonies
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Ten years in the making, The Music of Islam series recorded in Egypt, Morocco, Tunisia, Turkey, Yemen, Pakistan, Indonesia, Iran and Qatar represents the most comprehensive sound documentation available to Westerners today, of a world religion dating back to 1/622. Although governed by strict rules for fourteen centuries, contact with other cultures has radically affected Islamic music throughout history. As the world enters the XV/21st century the timing of this collection serves an even larger purpose, documenting the traditions that have survived and will continue to survive for centuries to come. Today, one fifth of the world's population, one billion people, are Muslims, occupying a large territory stretching from the Atlantic shore of north and west Africa, through west, central and south Asia to island southeast Asia and attracting an increasing following in India, western Europe, north America, east Asia and southern Africa. This is a global presence which cannot be ignored. The classical music of Pakistan has its roots in pre-Islamic times. Hence the names of the majority of ragas have Hindu connections and are from the Sanskirt language. Muslim musicians from Pakistan will generally sing in the Urdu language and the lyrics, if religious, will be in praise of Allah. Islamic culture and in particular Persia, has had a profound influence on the evolution of music. Today, Muslim musicians play a major role in the music world. Whether they are from Pakistan or India, names like Ustad Bary Fateh Ali Khan, Vilayat Khan, Amjad Ali Khan, or the late Nusrat Fateh Ali Khan are among the great musicians of the XIV/20th century. In this recording, Ustad Bary Fateh Ali Khan presents three ragas for three different periods of the day: early morning, early evening and evening. The concept of set periods of the day to which ragas are attached is based upon how one generally feels at different times. This is further defined by scale and the ascending or descending structure of the raga. Each raga is in the tin-tal rhythmic cycle, the closest to the Western concept of 4/4 time. Read more The Music of Islam Volume 13: Music of Pakistan, Lahore, Pakistan

Friday, June 15, 2012

Volume One 1970-1979


Volume One 1970-1979 by Thrill Jockey
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